Event overview
In relation to his novel Sanctuary (1931), this paper focuses on how Faulkner explores the monetization not only of his subject but of his self-conception as author.
Talk by Professor Richard Godden (University of California, Irvine)
Hosted by Department of English and Comparative Literature
In declaring Sanctuary (1931) “a cheap idea,” “deliberately conceived” to make money, Faulkner announced the novel’s preoccupation with circulation (“Maybe 10,000 of them will buy it”). The paper focuses on how, in writing for money, Faulkner wrote through money, doing so when “more and more of the aspects of living are coming to be strained through the bars of a dollar sign” (Middletown, Robert and Helen Lynd [1929]). Following Marx’s account of the logic of circulation, whereby the commodity (here, the novel), “thrown into the alchemist’s retort of circulation,” must “shape-shift,” “changing its skin” in order to “transubstantiate” into price, the paper tracks how Faulkner explores the monetization not only of his subject (Temple Drake’s rape and exchange) but of his self-conception as author.
Professor Godden is the author of William Faulkner: An Economy of Complex Words (2007), Fictions of Labour: William Faulkner and the South's Long Revolution (1997), and Fictions of Capital: The American Novel from James to Mailer (1990).
All welcome – no need to book a place.
Dates & times
| Date | Time | Add to calendar |
|---|---|---|
| 28 Nov 2018 | 5:30pm - 7:00pm |
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