Professor Alex Wilkie

Alex Wilkie explores more-than-human futures through the intersection of design and science and technology studies.

Staff details

Alex’s work lies at the intersections of design, science and technology studies and empirical philosophy, variously engaging with human-computer interaction, more-than-human centered design, speculative practices, generalized aesthetics and constructivist thought. This plays out through numerous projects and collaborations that engage and intervene in a range of substantive areas including climate change and energy, community engagement, the sociology of design practices, the sociology of expectations and futures, healthcare and interactive technologies, government policy, user studies as well as public engagement with science and technology.

Academic qualifications

  • PhD in Sociology (Goldsmiths) 2010
  • MA in Computer Related Design (Royal College of Art) 1999
  • BA (Hons) Fine Art (Chelsea College of Art and Design) 1997

Teaching and supervision

Alex convenes the MPhil/PhD programme in design. He has supervised 9 PhD students to completion and is interested in supervising students whose research variously combine design, practice-based research with science and technology studies or related social and cultural research.

Research interests

In collaboration with scholars in anthropology, philosophy, sociology and STS, Alex has published three volumes that open new domains for theoretically driven empirical and experimental research. Studio Studies (Routledge) takes inspiration from laboratory studies to set out a programme for the ethnographic study of studio practices and situated ‘creativity’ to examine the studio as a critical site for the production and politics of invention and the new. Speculative Research (Routledge) is an invitation for scholars and practitioners to take up the challenge of speculative thought to cultivate new ways of thinking, researching, and making futures. Distinctively, this project takes as its point of departure a particular lineage of thought that can be traced through the work of William James, Henri Bergson, Alfred North Whitehead, John Dewey, Gilles Deleuze, and Isabelle Stengers. Inventing the Social (Mattering Press) draws together recent efforts to develop new ways of knowing ‘society’ that combine social research and inventive practice-based research in part to move beyond the performative idiom and critiques of representationalism that has preoccupied social and cultural theory and research. Alex is currently working on more-than-human aesthetics with the philosopher Melanie Sehgal, preparing a monograph on Design and STS with Mike Michael, developing an international network on the climate crisis and post-anthropocentric design as well working on patient safety, clinical error and negligence. He is series editor, with Mike Michael, of Dis-positions: Troubling methods and theory in STS for Bristol University Press.

Publications and research outputs

Book

Edited Book

Book Section

Article

Conference or Workshop Item

Design

Printed Ephemera

Project

Show/Exhibition

Thesis