2024:
‘Sensing the Salon: Rachel Sassoon Beer’s Invisible Music’
RMA@150, Senate House and the British Library
2023:
‘The Electric Concert: Power and Illumination in late nineteenth-century London’
Music in Nineteenth-Century Britain, Open University (Milton Keynes)
2020:
‘Listen with your eyes: Lighting and audiovisuality in late nineteenth-century concert spaces’
Music, Mind and Body in 19th-century Britain, Open University (online)
2020:
‘In the Dark: Recovering Anton Rubinstein’
RMA 56th Annual Conference, Goldsmiths, University of London (online)
2019:
‘Russian Music on the World’s Stage: Beginnings’
Gnesin Russian Academy of Music in Moscow
2016:
‘Onegin in Nice and the Age of Exhaustion’
Russia and the Musical World: 19th-Century Networks of Exchange, Goldsmiths, University of London
2016:
‘Illuminating Spectacle on the Operatic Stage’
University of Oxford (Bodleian ‘Staging History’ series)
2016:
‘Illuminating Spectacle: Light and Illusion in Gustavus the Third (1833)’
19th Biennial International Conference on 19th-Century Music, University of Oxford
2016:
‘Russian opera abroad in the age of exhaustion: Yevgeny Onegin as realist drame lyrique in France, 1895’
Russian and East European Music (REEM) Study Group annual conference: Migration and Mobility, University of Cardiff
2016:
‘Illuminating Spectacle: Light and Illusion in Gustavus the Third (1833)’
The London Stage and the 19th-Century World, New College, University of Oxford
2015:
‘Russia on the World’s Stage: Tchaikovsky’s Yevgeny Onegin as realist drame lyrique in France’
University of Nottingham colloquia series
2015:
‘Lost in Transfer: Tchaikovsky’s Yevgeny Onegin as realist drame lyrique in France, 1895’
First Transnational Opera Studies Conference (TOSCA), Bologna.
2015:
‘Tchaikovsky’s Yevgeny Onegin and the Changing Face of Russia in Britain, 1892–1906’
Goldsmiths Music Research Series
2015:
‘Illuminating Gustavus: French grand opéra and Spectacle in 1830s London’
Grand Opera on the Move, King’s College London.
2014:
'The First Routes of Russian Opera to Britain: A Celebrity, a Jubilee and a Tour (1881–88)'
Russische Musik in Westeuropa, 1867–1914. Ideen – Funktionen – Transfers. Musikwissenschaftliches Institut, University of Zürich.
2013:
‘Showing Paris how it’s done: Glinka’s A Life for the Tsar in Nice (1890)’
Annual Meeting of the American Musicological Society (AMS). Pittsburgh, USA.
2013:
‘Glinka and the “Slovanský Duch”: A Life for the Tsar and Ruslan and Lyudmila in Prague, 1866–67'
Sociocultural Crossings and Borders: Musical Microhistories. International Musicological Society. Lithuanian Academy of Music and Theatre, Vilnius.
2013:
'The First Routes of Russian Opera to Britain: A Celebrity, a Jubilee and a Tour (1881–88)'
Cultural Cross-Currents between Russia and Britain in the Nineteenth Century. Birmingham City University.
2013:
‘Showing Paris how it’s done: Glinka’s A Life for the Tsar in Nice (1890)’
Performing the Metropolis: Music, Urban Geography and Spatial Practices since 1789. King’s College London/ University of North Carolina at Chapel Hill.
2013:
‘Russomania and the Problems of putting Onegin on again (1892–1906)’
he National Element in Music. University of Athens.
2012:
‘Italianising Russian Opera: Glinka's A Life for the Tsar at Covent Garden (1887)’
British Association for Slavonic and East European Studies (BASEES). Annual Conference, Fitzwilliam College, University of Cambridge.
2012:
‘An “Extraordinary Engagement”: A Russian Opera Company in Britain (1888)’
Musicology Graduate Research Forum. University of Cambridge.
2012:
‘An Opera for the Jubilee: Glinka's A Life for the Tsar at Covent Garden (1887)’
Royal Musicological Association (RMA) Research Students Conference. Hull.
2011:
‘Italianising Russian Opera: Glinka's A Life for the Tsar at Covent Garden (1887)’
Russian Graduate Seminar Group. University of Cambridge.
2011:
‘An Extraordinary Engagement: A Russian opera company in Britain (1888)’
British Perceptions and Reception of Russian Culture, Eighteenth-Twentieth Centuries. Fitzwilliam College, University of Cambridge.
