Finburgh Delijani, Clare. 2022. The Afterlives of Enslavement: Histories of Racial Injustice in Contemporary Black British Theatre. Modern Drama, 65(4), pp. 471-498. ISSN 0026-7694
Finburgh Delijani, Clare. 2022. “Nobody’s ever held the door open and invited women, Black people or disabled people in”: confronting discrimination in Marie NDiaye’s theater. CFC Intersections, 1(1), pp. 43-58. ISSN 2752-552X
Finburgh Delijani, Clare. 2022. The Ghosts of Slavery in Contemporary Theatre from the Francosphere. L'Esprit Créateur special issue, Replaying the Francophone Early Modern in the Twenty-First Century, 62(2), pp. 32-49. ISSN 0014-0767
Finburgh Delijani, Clare. 2022. Portes fermées, possibilités ouvertes dans le théâtre de Marie NDiaye. Parages, 11, pp. 105-115. ISSN 2494-8268
Kilito, Abdelfattah; Finburgh Delijani, Clare and Warner, Marina. 2021. Abdelfattah Kilito, Archeologies: Twelve Miniatures, translated by Clare Finburgh Delijani and Marina Warner. The White Review,
Finburgh Delijani, Clare. 2021. Le Passage du milieu dans le théâtre britannique. Théâtre/Public, 241, pp. 52-58. ISSN 0335-2927
Finburgh Delijani, Clare. 2021. « Je cherche une langue non pas réaliste mais très écrite » Entretien avec Marie NDiaye. Théâtre/Public, 239, pp. 4-18. ISSN 0335-2927
Finburgh Delijani, Clare. 2020. The Anti-Monumental Cemetery: Ghosts in Jean Genet’s ‘Quatre heures à Chatila’. French Studies, 74(4), pp. 587-604. ISSN 0016-1128
Finburgh Delijani, Clare. 2020. In Memoriam: Christian Biet (1952-2020). Contemporary Theatre Review, 30(4), pp. 595-598. ISSN 1048-6801
Finburgh Delijani, Clare. 2019. “‘Ces portes entrouvertes qui filtrent le monde’. Graeme Miller : Entretien avec Clare Finburgh Delijani”. Internationale situationniste, Théâtre, Performance, special issue, Théâtre/Public, 231, pp. 82-92. ISSN 0335-2927
Finburgh Delijani, Clare. 2019. “‘Déborder le cadre’. L’Internationale situationniste, le théâtre et la performance”. Internationale situationniste, Théâtre, Performance, special issue, Théâtre/Public, 231, pp. 16-27. ISSN 0335-2927
Finburgh Delijani, Clare. 2019. “‘Élargir la part non médiocre de la vie’. La situation construite et le théâtre Contemporain”. Internationale situationniste, Théâtre, Performance, special issue, Théâtre/Public, 230, pp. 46-56. ISSN 0335-2927
Finburgh Delijani, Clare. 2019. “Un metteur en scène, un théâtre, un continent, un monde. Thomas Ostermeier et la Schaubühne. Entretien réalisé par Clare Finburgh”. Théâtre/Public, 230, pp. 4-23. ISSN 0335-2927
Finburgh, Clare. 2017. ‘Violence without Violence’: Spectacle, War and Lola Arias’s MINEFIELD (CAMPO MINADO). Theatre Research International, 42(2), pp. 163-178. ISSN 0307-8833
Finburgh, Clare. 2017. Théâtres de violence : Les nouvelles écritures théâtrales britanniques. Théâtre/Public, 223, pp. 31-64.
Finburgh, Clare. 2014. Press, Patrols and Power: The British Army in Recent UK Theatre. Double jeu - Figurations du pouvoir, pp. 45-55. ISSN 1762 -0597
Finburgh, Clare. 2014. Derrière l’écran : La Guerre à la télévision sur la scène anglaise. Théâtre/Public, 212, pp. 99-108. ISSN 978-2-84260-660-2
Finburgh, Clare. 2014. Theatre’s Other: Event and Testimony in British Verbatim Plays. Sillages critiques, 18, ISSN 1969-6302
Finburgh, Clare. 2012. French Theatre ‘dans la merde’. Contemporary Theatre Review, 22(2), p. 287. ISSN 1048-6801
Finburgh, Clare. 2011. “‘Vérité’ ou ‘mensonge’ ? Le Théâtre politique en Grande-Bretagne post-11 septembre”. Agôn (Special Issue),
Finburgh, Clare. 2010. Internal and External Dramaturgies: The French Context. Contemporary Theatre Review, 20(2), pp. 203-213. ISSN 1048-6801
Finburgh, Clare. 2008. Women in Howard Barker’s Theatre: Object or Subject? Études britanniques contemporaines, 35, pp. 127-139. ISSN 1168-4917
Finburgh, Clare. 2007. Un monstre bariolé : Les Paravents de Jean Genet, mis en scène par Frédéric Fisbach. Alternatives théâtrales, 93(summer), pp. 24-27. ISSN 0774-4145
Finburgh, Clare. 2007. Les Mille plateaux de Noëlle Renaude : Par les routes. Théâtre/Public, 183, pp. 26-31. ISSN 0335-2927
Finburgh, Clare. 2007. Voix/Voie/Vie: The Voice in Contemporary French Theater. Yale French Studies, 112, pp. 99-115. ISSN 0044-0078
Finburgh, Clare. 2005. The Tragedy of Optimism: Kateb Yacine's Le cadavre encercle and Les ancetres redoublent de ferocite. Research in African Literatures, 36(1), pp. 115-129. ISSN 0034-5210
Finburgh, Clare. 2004. Speech Without Acts: Politics and Speech-Act Theory in Genet's The Balcony. Paragraph, 27(2), pp. 113-129. ISSN 0264-8334
Finburgh, Clare. 2004. Unveiling the Void: The Presence of Absence in the Scenography of Jean Genet's The Screens. Theatre Journal, 56(2), pp. 205-224. ISSN 0192-2882
Finburgh, Clare. 2002. Jean Genet and the Poetics of Palestinian Politics: Statecraft as Stagecraft in 'Quatre heures a Chatila'. French Studies, 56(4), pp. 495-509. ISSN 0016-1128
Finburgh, Clare. 2002. Facets of Artifice: Rhythms in the Theater of Jean Genet, and the Painting, Drawing and Sculpture of Alberto Giacometti. French Forum, 27(3), pp. 73-98. ISSN 0098-9355